Best Tuning App Ever
MaddProfessor"
I’ve downloaded many tuning apps before and this one is by far the best. Easy to use, super user-friendly, and they have a bunch of fun different chords and songs to help you learn new music. I highly recommend.
The Dance Of The Hours easy guitar chords by The Clientele
N/A•
Guitar
Tuning
E A D G B E
Capo
Fret 2
Capo
Transpose
0
Capo
G
C
Gm
Bb
Eb
Dsus4
D
Cm
G
C
Gm
Bb
Eb
Dsus4
D
Cm
Verse 1
When
we
were children,
we
found
a knight
in the
back
garden; just
beyond
a patch
of scrub
grass, and
hidden
by
green
laurel leaves.
The first
thing
that
struck
us
was
how
tiny he
was,
like a jockey
or another
child, and
I
realise
now that
his delicate
frame
could
only
have
been
nour
ished
by mediaeval
foods; turnips,
blood
sausage, perhaps
songbirds
roasted
in
a thin,
toxic
sauce of mercury.
He looked
pained,
pinched-
in,
fanatical.
He waited
stock- still
on
his horse,
seeming
to absorb
the light from
around
him; blanched
like an
underexposed photograph,
with the
blues and
purples
of Edwardian
illustrations,
faded
through
the years
into an
otherworldly, sun- infused
palette of
the distant
past.
He was separate
from
the light
and
the
shadow
of
the
garden, and
he
sat in
an obvious
posture of
hesitation
and - it seemed-
slight disdain,
without
seeing or reacting
to
us. We were
shocked, and
milled
around
him with
hushed
respect.
On
other days
we
found
him drenched,
with rain
drilling
the laurel
leaves,
streaking
long,
dim
lines down
the sides
of
his
face, before
our
mother
called us
in from
the wet, and
we
left
him to
his
meditation.
Verse 2
Stitched
in
to the
pommel of
his saddle
was
his name,
Roland.
He
never moved
from
the
bottom of
the
garden, and
we visited
him
less
and less.
The last
time I saw
him
I was
8 years old,
and
a burning summer
day
had bleached
the grasses
and dried
the moss
on the
lawn. He
was there
but not there,
as usual,
the wrong
colour and
shape
for
the
oppressive
light, the heat
that made
the new
tent I had
pitched
an uninhabitable
furnace.
I thought
his
face had
changed a
little, as
if he was
exhausted
by the
long trek
through
the years,
from
laying King
Arthur to rest
by the
sea on a fresh,
chilly
evening, to
seeing the
Pre- Raphael
ites paint
the same
scene wrongly
nine centuries
later. But
maybe
it was me
who was becoming
tired. By September,
I
was
ill; when I returned,
he'd gone.
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