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Come On In My Kitchen chords by 
John Sinclair
N/A•
Verse 1
D
C
Am
A
G
D
G
D
G
A
G
You better come on
A
In my kitchen
G
A
G
D
A
It's going to be raining
G
D
C
G
D
G
outdoors
A
D
G
D
Like anyone for whom
G
the road becomes home,
D
G
Peter Goronik points out,
D
Robert Johnson established
G
safe harbors
everywhere he went,
links within the community
D
which he could put down an
G
D
d pick up again
G
A
when he returned in a month or a year.
G
C
In Helena, he established a relationship
D
G
with Robert Lockwood's mother,
A
D
probably 15 years older than he,
G
which was evidently as stable
D
G
over a long period of time
D
as any on which he embarked.
G
There was also Raoul Walter Horton's
And in West Memphis,
Johnson and Johnny Shine's
D
cousin, Kevin Fraser,
G
stayed at the Hunt Hotel
D
A
where Robert took up with
a female midget
G
D
G
who ran errands for the three blues men.
A
In Friars Point,
D
A
D
there was a runty little girl named Betty.
G
D
In every town in which they stopped,
G
A
there was someone to take care
D
of
G
Johnson, a woman,
not necessarily a glamour girl,
D
G
D
but someone who would look after him.
G
D
A
Better come on in my kitchen,
D
A
it's going to be raining our
D
G
D
Asus4
G
dogs.
D
Women to Robert,
G
Johnny Shines has written,
D
G
D
were like motel or hotel rooms,
G
even if he used them repeatedly.
He left them where he found
them.
D
Heaven helped him.
He was not discriminated.
G
D
A
Probably a lot like Christ.
G
He loved them all.
D
He preferred older women in their 30s
G
D
G
over the younger ones
A
G
D
G
be cause the older ones would pay
D
his way.
G
D
G
Mack McCormick discovered at least half a dozen
Bm
D
G
women involved in two - three -week relationships
in the eight years following his first
D
wife's death.
G
By McCormick's account,
they were shy young girls
A
for the most part.
G
Similar to the older women
D
whom Shines describes,
G
D
A
in one respect they provided
D
food and shelter
We're a footloose musician
and we're not considered
A
D
G
the most desirable or attractive
D
A
D
catches in the community.
G
D
G
A
You better come on in my kitchen.
D
A
It's going to be raining
D
G
D
A
outdoors.
D
A
B
D
G
Johnson had a very un usual reputation.
D
He was not crude, but he was direct.
G
He would simply ask them,
Can I go home with you?
D
Can I be with you?
G
D
These were young girls
A
living with their families
G
in a rural situation
D
G
D
and for the most part their
G
D
answer was yes.
G
A
D
The relationship ended when
B
G
their husband came home,
D
G
D
or her Johnson moved on.
G
D
G
D
G
A
G
You'd come on, in my kitchen.
D
A
It's going to be rainin' outside.
D
C
G
D
G
Asus4
D
Women
G
Bm
D
with whom he stayed
G
D
G
D
de scribed to Mac McCormick how they would wake up in
A
G
the middle of the night to discover him fingering the guitar strings
D
almost soundlessly
G
D
A
at the window by the light of the moon.
G
He was a guy, Johnny Shine said,
D
that could find a way to make a song
G
C
G
D
G
A
sound good with a slide,
G
D
regardless of its contents
or nature.
His guitars seemed to talk, repeat,
and say words with them
G
like no one else in the world could.
D
The sound affected most women
G
D
in a way that I could never understand.
A
G
One time, in St. Louis,
C
D
we were playing one of the songs
G
D
that Robert liked to play with
G
A
G
someone once in a great while.
D
Come on in my kitchen.
G
D
He was playing very slow
G
D
and passionately.
G
And when we had quit,
I noticed no one was saying anything.
D
G
D
And I realized they were crying,
A
G
D
G
both women and men.
D
Asus4
D
A
You better come on in my kitchen.
D
A
D
It's going to be raining outdoors
G
D
A
D
G
A
You better come on in my kitchen
D
G
A
It's going to be raining outdoors
D
C
G
D
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