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Where The Blues Were Born In New Orleans easy guitar chords by Louis Armstrong
N/A•
Guitar
Tuning
E A D G B E
Capo
Fret 1
Capo
Transpose
0
Capo
C
D
G
F
F#
B
E
Am
Bb
Gm
Cm
C
D
G
F
F#
B
E
Am
Bb
Gm
Cm
Intro 1
C
D
G
F
D
C
G
D
C
G
F#
G
C
G
C
G
B
F#
G
C
G
F#
Folks,
Verse 1
F#
G
F#
G
C
G
come gather round my stand an d hear
F#
Satchmo's
Happy
Dixie
C
Band.
F#
C
Now, I know some people call it corn,
F
C
E
F#
D
F#
G
C
G
F#
but right here is where the blues was born.
G
F#
G
F#
Hear that music blue just spring that you'd
C
Am
D
F#
like to strut to on the floor.
C
Bb
Hear the slide trombone and trumpet moan
C
Bb
C
as you're coming through the door.
Am
D
C
F#
I'll guarantee that you'll never see
C
Bb
F#
Bb
C
black lights of them again.
E
C
Am
Bb
Stomp your feet to the beat of the
F#
G
Dixie music, men.
F#
G
Everybody move,
D
G
F#
get right in the groove.
G
E
C
G
There ain't nothing you can lose.
F#
C
Now right here's the spot where
G
we'll all get hot.
F#
C
That's the mess of blues.
G
Here's the place to slap
C
and spank that bass.
Am
Here's the music.
D
Am
C
And I mean,
G
this is where the blues is born.
The
F#
New
C
B
Orleans.
Let me introduce
Mr.
Charlie
F#
B
C
Beals, piano man.
G
E
Can he spiel?
B
D
G
C
Only got two hands, but that's plenty.
G
When he plays,
F#
D
E
F#
D
G
it sounds like 20.
D
C
An d he has
Kid
G
C
D
C
E
Ulrich on the horn.
B
C
G
Greatest sliding man ever born,
F#
B
plays trombone smiths with laughing notes.
G
No human being ever rode.
B
F#
G
G
B
G
Everybody knows
C
Zutty
G
Singleton.
G
B
He can eat them sheepskin
G
D
B
s like no one.
D
G
Cymbals, bells, and all that stuff.
G
G
Give all the face and treat them rough.
C
F#
And then here's
G
Barnaby
F#
Goddess
G
Clarinet.
F#
You ain't never heard
nothin' like him yet.
G
C
G
When he cuts loose, I know you'll roar.
Mr.
Big
D
F#
Eye, please give me more.
C
D
C
D
C
D
C
Now here's
Bud
Scott and his old guitar.
E
G
C
Always smokin' that big cigar.
He's the rhythm man of a great renown.
G
B
F#
G
Give a listen while he goes down.
Red calendar, meet him face to face.
B
He's the one that plays that old slap bass.
G
D
G
He started out with a violin,
B
C
and the doggone thing just grew up
G
C
G
B
G
on him.
D
And there's me.
G
F#
Excuse my crust.
G
Introduce myself, my buzz.
I'm
Am
Satchmo
D
Armstrong, don't forget.
C
G
F#
D
F#
D
G
I got to get up out on the old cornet.
C
Gm
G
E
F#
G
C
Cm
D
G
B
D
Last of all, meet
G
Mr.
B
C
Nick, gambling man,
and he's mighty slick.
B
C
B
G
C
He's the boss man of this place, and how,
Mr.
G
G
C
G
C
Nick, please stand up and take a bow.
G
E
G
C
G
G
C
G
C
G
C
G
C
C
G
G
C
C
G
-WATCH
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