You just came from England.
What would you say the trend
is there?
Any particular kind of blues
they liked the best
when you sang in England recently?
Well, the main thing about it is, if you can,
if you get up and explain what you're going to play,
the people will sit quiet
and listen to whatever you sing,
and then they'll take it
from there.
And there's no country I've been
in in my life
that people don't have blues.
Of they have it a different way.
They have it through wars
and through different destructions
and things that we don't have here.
And therefore, they don't have the same way,
have the blues the same way that I do.
So I'm singing it the way that I have it.
And therefore, it never happened
to them over there.
And then when I explain it before
I start singing it,
then they know what I mean.
It's trouble.
I'm singing about the trouble I
It's the same in every language.
Yeah.
So if they had trouble, so they understand that I'm
singing about the trouble I have,
then they feel it.
Is there any particular blues
that you found was very popular there,
of all the songs that you have?
Well, yes, I've got one that I do play over there
for them that they all like,
and they understand it,
because I'm singing about woman trouble,
and I think every man born have
had woman trouble.
It doesn't matter what language
he speaks.
I got a girl named Willie Mae
and she lives in the low, low land.
I got a girl named Willie Mae,
and she lives in the low, low land,
Lord, the way I got
All my life, baby, know I've had it wrong
All my life, Willie Mae,
you know I've had it wrong.
Not just on the count of me breaking
up one poor man.
Willie Mae, Willie Mae, Willie
Don't you,
yeah I've been callin' you
Not if I don't get my Willie Mae
There's no other woman
When I get a thing about Willie Mae
A cold chill creeps up and
down my spine
When I get a thing about Willie Mae,
cold chills creeps up
and down my spine.
Sometimes I wished I was dead,
but Willie Mae ain't no round
for me to die.
I'm going to leave here, baby,
and I'm going on down the line.
I'm going to leave here, Willie Mae,
and I'm going on down the line.
You know I don't do nothin' here,
Willie Mae,
but grieve and cry.
You know I don't, don't do nothin' here,
Willie Mae,
but grieve and cry.
Willie Mays.
Willie Mays.
Well, on the subject of women,
since they've been,
I guess, the basis of most of the blues,
you know.
So, let's sort of wander around,
Brownie?
Yeah, I think the first woman
blues I ever did
wasn't about the woman, was Daisy. Daisy.